Category Archives: Thoughts 思潮起伏

Why So Serious? (+ Fashion Asia Pics)

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I’m always touched when my juniors from WKWSCI (Wee Kim Wee School of Communication & Information) write to me. Whether it is to ask for advice, or to leave a comment or to share what their thoughts are, I find myself reminiscing about those school days. I’m envious of them, for stressing over the readings, grappling with deadlines and struggling to make it on time for morning lectures because I actually quite enjoy being in an academic environment where the grueling curriculum serve a purpose for you, without you having to set one for yourself, even if you aren’t very clear what it is.

One of them left a comment on a previous entry, regarding how her ex-boyfriend suggested that she should have take a more practical module instead of “Acting” but she was glad she took no heed because acting was the only fun she had the entire semester. While I was formulating my response to her, I wondered if that is the reason why people here sometimes take everything too seriously? Have they stopped having fun? Part of my response to her was “…I don’t understand why people equate fun to being frivolous and [fun] is often frowned upon and associated with being lazy, impractical or time-wasting.” because I genuinely think having fun is part of living, and that it does makes work or study a lot more enjoyable than it is.

Is there a prejudice against people who actually have fun working or studying? Is it wrong to want to have fun? Are they mutually exclusive?

One of the reasons given is that people can get carried away when they’re having fun, so much so that it distracts them from the tasks required to be completed which inevitably results in a  lack of productivity and efficiency. But we are not talking about children here, we are talking about young adults and adults who have developed an awareness since. Surely they can be trusted to know their responsibilities and fulfill them?

I’m not saying it’s not important to be productive or efficient or professional, but they need not always be at the expense of having fun. One of the differences between human beings and machines is that we have emotions and our interaction with one another is organic, as opposed to being programmed. Yet how often have we met people who seem to be talking and reacting like there is a course to follow?

While I don’t have scientific evidence to prove, I do feel that human beings are naturally drawn to happy, positive emotions because it’s a lot easier to experience them, ceteris paribus. Of course I might be wrong. It’s just that I’ve seen for myself, that in cases where the overall experience is positive and enjoyable, there is less focus on the unpleasantness and difficulty of the task, less complaints, and a greater willingness to engage in it.

I’ve heard and it saddens me to know that there are employees who have been told by their employers to adhere to certain rules and work conduct which indirectly promotes behaviour that is devoid of human emotion. We are all unique individuals with different personalities and one of the reasons why humans, instead of robots, are in most jobs is because the world is made up by people. Products, ideas, campaigns, movements are all driven by human beings. Because each of us bring to the table a part of us, which is different from someone else.

We all want to work hard, but we can definitely work harder, if we can also have some fun at the same time.  They are not mutually exclusive, unless we humans make them to be.

Enough said, here are more fun pictures from my Fashion Asia Bangkok trip to share. Have fun everyone!

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I have no idea why that pose came about!

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Clarence, the unsuspecting victim stole the scene from us!

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I thought these earrings were really cute. Muak muak.

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I like the look and feel of this top!

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Pretending to mannequins...

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...still pretending to be mannequins...

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...Keith looks totally the part!

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Did u know the "book" I'm holding is actually the box that comes with the accessories at Stretsis? So pretty!

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OMG, what/who is that?

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Alvin (MediaCorp make-up artiste) and I

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Oh...Clarence...

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A happy face from each of us.

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These are fake flowers but they look so pretty!

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Welcome to Bangkok, Thailand, The Land of Smiles.

Can we please our man and the camera too?

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I couldn’t agree with Amy more. I do not know the context in which she made this comment, but here is my little piece of mind, based on my observations and past encounters.

I heard from someone (I forgot who) many years ago that you can’t please your man if you want to please the camera.  At that time it made me wonder, is it really impossible to strike a balance?

Female celebrities have to stay slim (some might classify us as skinny or thin in person) so that we look just right on television (unless you’re being paid millions of dollars to be Bridget Jones). But our man might not necessarily like that bony frame. When you have to watch what you eat, or go for facial/massage/manicure/pedicure/hair treatment/colour etc (again), you are accused of being obsessed with how you look, and (gasp!) of being vain.

Vain.

It’s a word dripping with negative connotation.

The entertainment industry is one where looks play a crucial role. Let’s face it, if you see someone good-looking, you tend to pardon his/her lacklustre delivery. At least for a while. Besides, if looks don’t matter, then there’s no reason to have models and celebrities wear designer clothes, front brand campaigns, endorse products and advocate charity movements. So while we’re honing our craft of acting (which is just one part of being a celebrity), we can’t just simply neglect our physical attributes. So why should we be made to feel guilty, least so by our man, when we want to look good?

Speaking to some of my fellow colleagues who are facing boyfriend woes, I come to realise that these men just can’t accept their girlfriends being in the entertainment industry. It baffles me that their boyfriends put them down, and make them feel like they’re fame hungry or dabbling in meaningless play-acting that are not comparable to their “proper” high-flying jobs. It breeds insecurity and paranoia. It’s like everything they want to do for themselves in this industry, they have to hold back, because they’re afraid of how their boyfriends would think or judge them. “You have changed ever since you entered the industry” or “You were no longer that innocent girl I knew back then” are the most painful comments that I can imagine, will keep me all night wondering if there’s something wrong with me. Wondering if perhaps I  shouldn’t give my best because “this job is for bimbos and wannabes”, which by the way, are unfair stereotypes. Since when does being a celebrity equate to any of those vile labels?

If the men think they know their girlfriends so well that they can decide that this isn’t the best job for them, think again. It’s hard for us girls to be ourselves when we’re being choked by a man who isn’t willing to relinquish the negative judgments on us. We need your love, affection and support, not your judgments and emotional punishments.

The worst kind of boyfriends are those who cheat and lie and get caught. This comes close, because when your man is always cynical and negative about everything you do, it’s detrimental to your emotional state.

If you would like to discuss and share your views on this quote, visit DISCUSSIONS. See you there.

Amy Adam’s quote taken from October issue of HER WORLD. Grab a copy now!

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The Elephant Man

Movie Poster

I feel an incredible need to write about this after watching it on DVD, before it fades in my memory. The Elephant Man is an old 1980 black and white movie that tells the true story of John Merrick, a severely deformed man in 19th Century London.

The immaculate detail and labourious task of researching and replicating the appearance of the Elephant Man, in a time where prosthetic make-up was in its primitive stages ought to grant it an Academy Award for Best Make-Up but that was in an era where the category wasn’t even set up yet.

The movie really doesn’t escalate into anything dramatic and pretty much hinges on the life of John Merrick, first as a circus freak, and then taken under the care of Frederick Treves (played by Anthony Hopkins) at the London Hospital. What was deeply thought-provoking was the fact that how sometimes we all have a self-centredness that renders what we assume is objective and valuable ironically the opposite. How we think advocating change would bring good to others, when really, it only serves our own purpose because the view is from within. Treves questioned if he was no different from the circus manager, because his good intentions only serve to draw greater attention to John Merrick, albeit they come from a different class of people. The fact that the Elephant Man remained a perverted representation of the human form, only housed in a legitimate vicinity, was a painful reminder to me that this was a man whose fate had been pretty much sealed the moment he was born.

John Merrick suffered immense cruelty from people who made use of him for the wrong reasons, constantly mocked at and frightened of others as much as they are of him. For me, the tear-jerking moment was when he was invited to have tea at Treves’ house with his wife, and the Elephant Man said to her that he wished his mother was there to see him with such wonderful friends, that perhaps she would love him for who he is upon seeing that, because he had tried so hard to be good. The desire for his mother’s acceptance is so untainted and pure, like a child, that my maternal instincts kicked in, developing a sort of imaginary love for this child trapped in a monstrous body.

He only wished that he could sleep lying down.

An act that we’ve all taken for granted was one that would kill him.

Can anyone imagine what’s it like to be him?

No.

No way anyone would even come close to understand what it’s like to be ridiculed, ill-treated, viewed with fear and scorn, and the physical discomfort (even this word is an understatement) of having an engorged skull, a displaced bone and wisdom tooth resulting in an inability to move the jaw, breathing issues, skin problems and a list of other physical inconveniences.

This story marks the triumph of human dignity over all the hatred, prejudice, ignorance and fear.

Movie Poster

Watching behind-the-scenes interviews was highly enlightening because I feel a sense of victory for the team when they discuss in retrospect the initial problems, fears, concerns faced from the time the script was born, to pitching the story, casting, make-up, choice of shooting in black and white and so on. What was particularly interesting was their explanation for shooting in original black and white. It helped to set the old Victorian mood, and indeed gave the set a sort of character and aged-ness that was endearing. The other reason was to ease the gangrenous appearance of the make-up for the Elephant Man because it was believed that what some would find repulsive and unacceptable in colour would be less so in black and white.

It took 12 hours to put on the make-up and 20-hour work days to try and get the prosthetics right so that it was realistic and do-able on the actor's face.
It took 12 hours to put on the make-up and 20-hour work days to try and get the prosthetics right so that it was realistic and do-able on the actor’s face.

They borrowed the one and only cast model of the original Elephant Man from the museum for the make-up artiste to work his mold and create parts for the actor. It was a huge challenge creating something that was as close to the real thing as possible, and it made me realise that when you really put your heart, mind and soul into something, anything can be done. The human will is extremely powerful and more often than not we fail to exercise it to its fullest potential.

The actor who played the Elephant Man. He is very sense the typical British man with a dark sense of humour that brinks on arrogance, evident from behind-the-scenes interview.

John Hurt is the actor who played the Elephant Man. He is very sense the typical British man with a dark sense of humour that brinks on arrogance, evident from behind-the-scenes interview.

I have a lot of respect for John Hurt, the actor who played The Elephant Man, for sitting through 12 hours of make-up and then going on set to deliver his performance. For us, 12-hours is a full working day. For him, the day has just started. The commitment and passion he put in for the role is immensely inspiring and for all that is worth, he is totally unrecognisable and convincing as John Merrick.

Dashing and effortlessly stunning.

Dashing and effortlessly stunning. Anthony Hopkins plays the surgeon Frederick Treves.

Finally, I’ve never been a fan of Anthony Hopkins because he is most memorable to me as Hannibal Lecter and I don’t really like intelligent, psychotic serial killers. But after watching this old movie, my ignorance is replaced with a new found admiration. He is very engaging, handsome, charming and unpretentious in his role as Frederick Treves. His eyes are so telling, he really doesn’t need to say anything.

Watch the trailer again and see how his eyes reflect disbelief, horror, sympathy and love upon first laying eyes on The Elephant Man.

Winning isn’t Everything.

Post Star Awards, I was working and meeting up with friends who were leaving. I haven’t got a chance to sit down and organise my thoughts or even let everything sink in.

Two days after the event, I had a long lunch with a friend and confessed to him that I don’t feel much different now and before. He gave me a knowing smile and said most people would expect some kind of response but I shouldn’t let that bother me too much. Be true to how you feel, this veteran said.

Honestly, I don’t really have an idea what I wanted to write in my post Star Awards entry. I had planned on writing a more coherent thank you speech, but realised the moment is over. Not that I am not grateful anymore, but I had pretty much said what I wanted to say that night, albeit in a very jumbled, disorganised manner. At least that was real! It’s almost like how when you’re acting, sometimes the first take is always the best, because the lines are still new, the emotions still raw, and the natural response most, well, natural. Repetitive takes would take the flavour out of the words. Some people liked the way I fumbled for the right words, others thought I could do better. My inexperience showed this time, but I promise I will learn in time.

I turned up for the awards with no expectations and was having fun with Gary’s (hairstylist from Passion) camera backstage. Sounds like fluff, but having missed out for two years consecutively, I no longer take anything for granted. Many people told me I’d get into Top 10 last year, after all, I did five dramas and even starred in the highest rated drama for that year, so they said, but I still ended up by myself in the front row when the Top 10 awards were given out. Disappointed, no, but boy was I embarrassed. I wished I was sitting next to someone. From then on, I learnt not to take what people say too seriously, because we really never know.

I only started to get the nerves just before the opening sequence. Perhaps it’s the words of encouragement from my colleagues or that knowing smile from a veteran that nagged at me to plan what I’m going to say should I win. And so I tried, but the bird and plane and magic tricks were so entertaining that I didn’t manage to move past the first line of thought. When the time came for the award presentation, my mind was in a mess. Part of me wondered what it’ll be like to hear my name, what I would say if I go on stage, but the other part convinced me that it can’t be possible, I was hopeful yet afraid, my mind going back and forth, my heart pounded with anticipation. Even when Ms Zhou’s lips formed the sound of my Chinese surname before Chiang-ge stopped her, I still didn’t want to believe it would happen. But it did. It was like someone yanked the plug in my brain. All the sounds faded and I went into auto mode. I knew I had to get up and go, and tried to buy time from the moment I stepped on the runway to receiving the award from Chiang-ge, so I could come up with something logical to say. Still I struggled. I searched the corners of my mind for words that normally come quickly, but they were jumping around with disbelief I couldn’t grasp hold of them. I rambled, worried I’d embarass myself by keeping silent, worried the alarm would come on and I would be rendered a mute, it was supposed to be a moment of joy and celebration but I was stressed. And I blanked out.

I never understood why winners at award shows always get so emotional. Now I do. It’s not easy at all.

Backstage, I was still in a zone. I never saw my stylist Jeremy grinned so wide before, he was always so cool, but this time he couldn’t contain his excitement. Daddy Ge Ping was backstage waiting for me with open arms, congratulating me and saying “Ger ger, see I told you.” I burst into tears because Daddy has always been there for me throughout the year. When everything didn’t seem to be in my favour, he still held so much belief in my potential, telling me to work hard. Then before I could get a grip of my emotions, my manager held my hand tight and told me to get ready to speak to the reporters outside. I panicked, I didn’t know what to say, I couldn’t get a hold of my bearing and I was still sniffing away. Emotions were running high and wild.

After the mini press meeting, Jeremy quickly pulled me upstairs to change into an outfit I never fitted for. I did as told and everyone was so flustered because the special guests were already giving out the Top Ten Most Popular Male Artistes. As I squeezed into the Hervé Léger bandage dress, I wasn’t even thinking I would have a chance to go on stage. Before I could remember what went through my head, I was already shuffled downstairs awaiting the presentation of Top Ten Most Popular Female Artistes. Then a calm sort of washed over me.

I know I was very lucky at this year’s awards. This journey I’ve taken hasn’t been easy and winning Best Actress is definitely a huge encouragement and boost of confidence.  While I received many many congratulatory messages, at the same time I am also aware that there are a group of dissenters who do not feel justified for my win. For whatever reason, most of it aren’t within my control. My work is what I hold a strong grip over. Winning Best Actress doesn’t mean I’m best, (nor do I think this will grant me any special status) and it certainly isn’t just because I work hard or had to eat bugs. Making drama is a team effort and everyone worked just as hard. I see the judges’ decision as a form of guidance, telling me that despite having tripped, fallen and hurt myself, I’ve managed to battle through the thicket and found the right path. I want to take this long journey, and I know there’s plenty of room for improvement and lessons to be learnt. But for now, I will not belittle myself just because of a few naysayers, because honestly, it was a difficult role and I shed my share of sweat and tears for it.

Barack Obama arrived at the White House with a resume that appeared short by presidential standards, there were many people who didn’t believe in him, held certain prejudices, prefer his rivals over him, and still do not like him now even though no one can change the fact that he is President of the United States; Carol Ann Duffy, recently appointed British poet laureate is equally subjected to prejudices against her gender and sexual orientation, and comments from random people that suggest she isn’t worthy of the job. But it hasn’t stopped her from doing what she is good at.

This is life. There are always two sides to a coin (unless you’re Joker) and words will remain as words. Let the actions speak for itself.

So I implore you to wait and see, give me a chance to let my work show.

I will work hard.

不解/Bemused

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今天早上上“早安你好”,谈入围红星大奖的感受等,收到观众朋友拨电进来的鼓励,还有很多朋友在博客上留言,祝福我,希望我能拿奖,谢谢你们!我呢,想不想得奖? 当然想啊,不过得靠时机和实力,或许不是现在,也希望将来有可能。嘿嘿!

听说自己这个星期被挤出十大,惨了,还蛮担心媒体会舆论纷纷,因为最近报章记者对我的评价好像不太乐观,说我变了。仔细检讨后,还是有一点模糊到底我怎么因为红而开始变了。怎么才算红?怎么才算变?难道是因为换了电话号码,现在联络不到我而觉得我变吗?不知是不是什么举动无意中得罪了谁,在这里想说明立场,如果有任何地方做的不妥,希望记者朋友们会多多原谅,给予我更具体的建议好让我从中学习。

很多时候这行,都是得从经验中吸取教训,学会待人处事,与外界更有效的沟通。我并不是一入行就懂事,也不想为自己找借口,只是想敞开心门,让大家知道如果你愿意与我分享,我就愿意听。刚入行时,有位高层就与我分享了至理名言:无知者无罪。如果是因为没人告诉你而不懂,犯错了也不能怪你。所以当时我就告诉自己,人家给我机会不能当成理所当然,同一个错误绝对不能重犯。

这个星期有一系列庆生日的安排,所以很期待。至于星期天是否有机会上台领奖,就要随缘啦。

I’ve been receiving many well-wishes for the upcoming Star Awards on Sunday, thank you all for having so much faith in me. Would I like to win? Of course, that will be nice, but I believe only if the time is right when I can prove the versatility and subtlety of an actress. I’m flattered just being able to have my wild-ugly-crazy-woman clip have its five seconds of fame repeatedly, potentially disrupting anybody’s dinner appetite. Haha!

I heard I’ve been out of the top ten this week. To be honest, I’m more worried about what the media would say rather than anything else. Recently the Chinese press has made their not so positive stand towards me, claiming that I have changed because of increasing fame. After some self-reflection, I still can’t quite figure out what fame means, nor how that might have changed me. Could it be that I’ve changed my mobile number and am no longer as contactable as before? Perhaps it was something I unknowingly done that had offended someone, but I would like to make my stand and clarify any misunderstanding. If there was anything that I could have handled in a much better fashion please do let me know, and allow me the opportunity to learn.

The entertainment industry is an ever-learning place. More often than not, lessons are learnt after making mistakes, and with time and experience, I acquire knowledge of the business and how to better communicate with people. I didn’t start out holding the essential guide to a fail-proof entertainment career because there is none to own. If this sounds like an excuse, no, I’m not making any for myself. I am acknowledging my ignorance and willingness to learn from those who would give me the chance.

I remembered during my first drama, someone from higher management shared with me my first lesson: No one can blame you for not knowing.

From then on, I told myself never to take for granted the opportunities people give me, and never to make the same mistake twice. While ignorance is not incompetence, truth is, no one is liable to grant me any leeway and I appreciate all who have done so throughout my career.

This week is full of birthday celebrations, so I’d be having a good time! Whether or not I’d be winning anything on Sunday, well, we’ll know soon. ;)

Clint Eastwood and his Gran Torino

Clint Eastwood
不知道大家看了这部电影吗?

Gran Torino Trailer

我看了这部电影后,感触很深,对 Clint Eastwood 有更崇高的尊敬。如果你们看了预告片,可能会觉得电影的主题很沉重。种族歧视,帮派斗争,围绕着一个寂寞,气愤的老人,世界的问题已经够烦了,还要看这样的电影来消遣啊?这部电影确实让我哭笑不得。它的奥妙在于电影拍摄得细腻却不失节奏。Clint Eastwood 导演并不会浪费时间把他的人物内心的痛慢慢的表现出来,而是点到为止。但这样的呈现方法还是非常有感染力,也让结局更悲哀。人物的言行举止,小动作,镜头的拍摄,让大家充分的了解这位人物,话不需要很多,但还是能认识他。让我十分敬佩的是Clint Eastwood 能把听起来很“废话”的台词演绎得那么的贴切和逼真。表面上好像不可能从一个对世界有这么多怨恨的老人家口中说出的话,由他说竟然不会让我觉得别扭。我想这是演员都应该练成的功力。不是没个剧本都会有完美的台词,但这应该就是有功力的演员和没经验的演员的不同。或许正是因为一些话很出乎预料,所以为人物制造了另一种性格的特点。

这部电影看完之后,感觉Clint Eastwood 所饰演的 Walt Kowalski是一个我认识的朋友,感觉好像真的参与了他人生的那短短的一部分,非常扣人也让我在落幕后,哭了许久,一直无法抽离。就连晚上也做了梦。

这部电影是那么的有影响力。希望大家会支持 Clint Eastwood 的这部作品。

Gran Torino is probably the best movie I’ve watched in the past couple of months.

Directed by Clint Eastwood, the movie seems to contain very dark and heavy themes of racism and gang activity set in a messed-up neighbourhood, centred around an old, grouchy man. Not exactly the kind of movie to take the mind off the many problems facing the world right now. But you’d be surprised that there are a few laughs in the movie.

Clint Eastwood is so convincing as Walt Kowalski (a Korean War veteran), that he makes the most ridiculous dialogue ring with depth. Pain is written all over his face and immediately you know this is a man who’s seen death, who’s gone through life tough and lonely. Every step he takes seem to ache with old injury, and you could almost feel it through the ankles to his lower back. And yet he displays incredible grit and strength in the face of young terror, pointing his make-belief gun at the kids holding real guns and throwing them off with the ridiculous gesture, when really he would be easily outnumbered in a fist-fight. Director Clint Eastwood wasted no time in milking poignant moments, allowing just one tear to be shed while his face was half hidden in shadow. It was enough. He tells stories by building characters, not through the dialogue nor the action. Every prop was placed for a reason, a reason that furthers the story, that forms the character’s inner feelings, thoughts and behaviour. It isn’t there just to provide foreground or create visual depth. It speaks of the characters and it tells their story.

The plot is enriching, and the main characters go through a journey, be it redemption, enlightenment or character building. It tells of the irony of life, that nothing is forever. Prejudices formed could change, allies become enemies, fear becomes strength. Death is never far away.

By the end of the movie, Walt was almost like the friend I knew, whose wife died before he did and whose experience in Korea made him the man he was — angry, jaded and distrusting. I saw his walls crumble slowly, I saw the glint in his eye when he made friends and taught the boy how to be a man, brought him shopping for tools on his first job and offered to lend him his prized Gran Torino to bring the girl out on a date. I saw the fire in his eyes when he knew the people he cared about were bullied, I saw weakness when his heart ached. The true strength and sacrifice he displayed in the face of danger arose from the need to protect the people who trusted him.

I cried and mourned way after the movie ended, because his spirit was so real, I felt a part of me left when the credits rolled.

Watch it and you’ll know what I mean.

New Year Shanghai Cows

I took this picture when I was travelling alone in Shanghai last year. It wasn't even Christmas yet and there were small stores selling Chinese New Year decorations and cards. I can't imagine what it was like in January when the retail sector gets ready for Chinese New Year. I haven't had time to sit down and organise my photos or blog about my trip and to be honest, I think I just might not be able to have a complete travel journal, because I didn't keep one when I was there. It's one of the things I hope to get done this year. Haha, what a new year resolution eh?
I took this picture when I was travelling alone in Shanghai last year. It wasn’t even Christmas yet and there were already small stores selling Chinese New Year accessories and cards. I contemplated getting these but I assumed they would come to Singapore during Chinese New Year. Sure enough I saw them hanging by the racks in Chinatown last month, but somehow the “local” ones just didn’t seem to look quite the same as those I saw in Shanghai. Maybe it’s the traveler’s syndrome. I wish I had time to sit down and organise my photos and blog about my Shanghai trip the moment I came back while the images and emotions were still fresh. Hopefully that’s something I’ll get done some time this year.

Travelling alone is always an enriching experience. It is also during this time that I see and feel the most. If I may borrow a quote from the launch issue of Asia Geographic Passport to sum up why I enjoy travelling by myself so much, it would be, “It is when you realise how ill-equipped and alone you are in this world that your journey truly begins.”

我的农历新年

今年的农历新年过得有点静,不知道是自己的心情有些灰暗,影响了拜年的情趣,还是大家都有各自的烦恼,在聚会上都少了往年的喜气。唯一不变的就是我的小表弟。小孩的喜悦总是隐藏不了,也很有感染力。所以我特别对我的小表弟情有独钟。因为他是这么的活泼,兴奋,充满生气。看着他,我不禁有所感触。成年人就是有太多包袱,容易被困扰,又很难自我开解。

老处在这样的环境太不健康了,该是找回童真的时候咯!

可爱的表弟

可爱的表弟

他就是不看镜头!

我朋友新加入的成员!是他把大人都忙的团团转。

《梅兰芳》三部情

你知道纸枷锁的可怕吗?
就因为不需要太大的力气,就能破锁。
我们是不是都带着纸枷锁?
《梅兰芳》电影

《梅兰芳》电影

是的,该是揭晓秘密之旅的时候。其实也没有什么秘密啦!

我这次飞往上海度假,在新天地看了一部电影,陈凯歌的 《梅兰芳》(90¥)。原来电影票价不是定价,我不知道这是中国电影院的规矩,还是上海的规矩,又或者只是新天地的戏院的规矩,总之我在上海的那段时期,《梅兰芳》的票价最高。好像有另一部好莱乌电影 ”Babylon A.D” 是70¥。

今天早上的联合早报有一篇由南妮写的“《梅兰芳》和梅兰芳”, 让我想把我当时看了电影之后的情感在记忆淡化之前记下来。这部电影阵容强大,由黎明饰演梅兰芳先生。我对梅兰芳先生的认识不深,上回去北京的时候,曾经到过他的博物馆,当时看到他的造型, 还以为他是女的,后来发现原来他是这么伟大的京剧大师。

梅兰芳本人

梅兰芳京剧扮相

我想要制作一部名人的电影真的很不容易。以一个对梅先生感到陌生的外人角度来看,这部电影不足以让我更认识这为经典人物,因为对我来说故事穿插着的是情和爱, 而不是一部传记作品。借用南妮的话,《梅兰芳》的戏是三段式的--1. 少年梅兰芳与老生十三燕的打擂台;2. 媒体喧哗的“梅孟之恋”;3. “蓄须明志”的重头戏。在这三段里,情和爱是整部电影的基础,由孙红雷所扮演的邱如白当领头,穿梭三段。他的一生献给了梅兰芳,放弃了教授的职位,充当他的追随者、知己、兄弟、编剧、策划、管家等等。他对梅兰芳的真心到第三段被撤职的那一幕最博眼泪。

少年梅兰芳是由余少群扮演的。这第一段是我看到最多京剧表演的一段。他秀气的五官,温柔的举止和偏高的声线让我足以相信他的确是京剧出生的。(那些京剧的唱段可都是由梅葆玖 (梅兰芳的儿子)幕后配音的哦!)在戏里,少年梅虽然和爷爷打擂台,但是他对爷爷的尊敬和爱也是三段里最浓的。他的对抗展现了他柔中带钢的气质,也因为他的动机是为了发扬京剧,所以当爷爷被惨败后在生死之间的那一刻,两人之间的感情更是有爆发力。

爷爷的断气竟然是梅兰芳事业攀高峰的开始。

爷爷守旧的心态在目前社会的思想很贴切。我们在现实生活中不也一样常遇到类似的阻碍吗?就因为阶级、辈分、经验等的不同,一方不愿意放下过去理念,冒险尝试,接受和以往不同的概念,造成了令一方永远被压着,没有前进的机会,不能尝到万一成功的滋味。那是否该相信自己,被看成目无尊长,自以为是,还是默默不语、奉命行事,放弃可能更伟大的成果?梅兰芳就因为坚持自己的信念,才能达到成就。你们自己决定吧!

第二段的“梅孟之恋” 里的情和爱是我们大家都熟悉的男女之恋。有趣的是梅兰芳在台上扮演女人,孟小冬(由章子怡饰演)则在台上是扮演男人。台上台下的调转应该可以更微妙的把两人之间的来电更加强,但这或许不是导演的重点。这一段由黎明饰演的梅兰芳让我觉得很纳闷。他似乎少了一种扣人的婀娜,即使他是涂上胭脂白粉,也没有让我感受到京剧大师的气质。 台上的他戏份不多,但在那一两幕的戏里,我还有点怀疑是不是黎明本人在演,因为总是没有close-up, 而他的姿体在宽角度里没有释放出京剧演员灵巧的身段,所以无法说服我他的魅力。这也让我不断思考他和孟之间的恋情究竟怎么会发生呢?邱如白在一段哀求孟离开梅时,明示了梅的成功就因为他一直都带着一份孤独,而自从他遇见孟小冬之后,这份孤独就少了。这怎么发展并不是太清楚。还有他们俩同台表演时,之间的那种爱慕,和我所谓的 “fatal attraction” 反而是由在观看的邱如白和福芝芳(由陈红饰演梅兰芳的太太)表达出来,觉得有点可惜。

第三段演绎了梅兰芳和日军的冲撞。我对这段历史一点也不熟悉所以就谈这段的爱。其中有位年轻的日军对梅兰芳的崇拜很深,但因为他的夹在中间,不能让上司知道他真正喜欢赴梅兰芳演出的理由,便告知上司能利用梅的影响力来统治中国。后来因为梅不愿屈服的精神导致了年轻的日军面对上司的压力,又无法重温梅的表演,他因为爱而痛苦,在那不清不楚的中文口音里还是表露出来。邱如白也是在这暴乱的时候因为被误会而失去了梅对他的信任,但他对梅的爱,有目共睹,也是整部电影里最有感染力的。

黎明在里头说了一句话非常耐人寻味。原本的词我忘了,但这是在他他被封王,接受牌匾的时候说的。

“如果表演的好,因为你是王;如果表演的不好,你是王咧。”

接受荣誉的肯定绝对是有代价的。

幸福、快乐?

这部电影上映时我错过了,最近看了之后让我很感动。不知道你们看了吗?

大家都在追求幸福快乐,到底什么才是幸福、快乐呢?

我们所接触到的人与事塑造了我们对 “幸福、快乐“ 的定义,也使我们不断根据这所谓的”完美“来寻找自己的”幸福、快乐“。我想,我又怎么知道我所追求的 ”幸福、快乐“ 真的会让我幸福、快乐呢?那是不是一种虚幻的完美主义?又或许那是个能够符合身边朋友的”幸福、快乐“却不一定就是适合我的概念?

真的很复杂哦!

小时候买鞋子,父母常要我选没有鞋带的,因为又舒服,又整齐,又方便,不许花时间花精力去把鞋带绑好,又不需担心鞋带会松,或者绑不好会看来不美观。的确很有道理,父母的心意我也了解。可是,就因为这样,我虽然穿着要系鞋带的鞋子,却渴望拥有更容易穿的鞋子。并不是因为有鞋带的鞋子差,而是因为照理论来说,没有鞋带的鞋子确实不费心思,不需要下功夫,也能让我穿的舒服,穿的好看。那为什么要让自己多一事呢?

当大家认为简单,方便是好,我们也就不加思索的同意。可是如果仔细想想,需要花多一点时间的鞋带其实也不是那么的费劲。费劲也其实不是太大的问题。既然如此,又为什么要放弃鞋带已经绑好的鞋子呢?

真搞不懂。。。

每个人都抱着不同的完美理想,坦白说,有时我也不清楚自己抱着的理想是否适合我,是否会让我幸福、快乐。

人类的不知足往往让幸福和快乐从手指之间划过, 后知后觉只会让人充满失望,后悔和懊恼。

要知足哦!